Gordon clears up misconceptions concerning Stanislavski.
Before I read his novel, I had my doubts about Stanislavski. I had tried active memory with some disastrous results. However, Gordon clarifies these misconceptions and others in his novel.
He begins each section by explaining the lives of Stanislavski and his disciples (Chekov and Vakhtangov). Hence, the reader gets an understanding of the motivations for each section or interpretation of the System. Furthermore, Gordon gives exercises designed by each man that are useful for actors. Perhaps the greatest thing I gained from this novel is an understanding of what disciple of the System I follow. Chekov and I have similar views on acting. If I had not read this novel, I may never have discovered this. My advice to any young actor who is persuing the Stanislavski's System as a method for acting to read this insightful book