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Imperial Visions : Nationalist Imagination and Geographical Expansion in the Russian Far East 1840-1865

by Mark Bassin



Buy the book: Mark Bassin. Imperial Visions : Nationalist Imagination and Geographical Expansion in the Russian Far East 1840-1865

Release Date: 24 June, 1999

Edition: Hardcover

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Buy the book: Mark Bassin. Imperial Visions : Nationalist Imagination and Geographical Expansion in the Russian Far East 1840-1865


Visions of a Russian Mississippi

This is a masterful book that combines intellectual history and geography in a way that has not been done before, shining a new light on the issues of Russian identity and the interrelationship between exploration, conquest and nationalism.

At the center of Bassin's work is the region around the Amur River. The Amur, closed to the Russians since the late seventeenth century, attracted intense interest in Russia throughout the later part of Nicholas I's regime, but especially in the aftermath of the country's defeat in the Crimean War. Wild, unsubstantiated exaggerations fueled this "Amur euphoria." The conquest and settlement of the Amur came to be seen as a national imperative, compensation for humiliation elsewhere. Amidst this frenzy, eager promoters who had never set their eyes on the Amur tagged the river as the "Siberian Mississippi," hoping that it would do for Siberia--and indeed for Russia as a whole--what the Mississippi did for the United States. They attached great hopes to this river. The waters of the Amur were to cleanse Russia's wounds, and redeem her in her newly-asserted eastern destiny. Yet the euphoria proved fleeting. Not long after the Russians reconquered the Amur, the realities confounded the hopes.

Although the Amur region is at the center of Bassin's book, its real subject, as the title indicates, are the "visions" of that object-region. These visions are the reflections of the visionaries, and become in certain ways "self-portraits" (p. 274), to use the author's own apt metaphor that indicates a methodological affinity to other recent works, most notably Yuri Slezkine's _Arctic Mirrors_. Whether as "mirrors" or as "self-portraits," these visions reveal far more about the visionaries than the envisioned. The "Amur euphoria" of the 1850s reflected the desperate desire of the Russian visionaries, in the wake of the Crimean War debacle, to both turn away from a Europe that "spurned" them and wounded their national pride and, at the same time, reaffirm their own Europeanness as effective "civilizers" of the east. These are complicated, sometimes conflicting visions of an "imagined" region, but Bassin skillfully steers us through them one at a time with the exuberance of a Huck Finn sailing on his raft down the Mississippi. In the process, he produces a work that will be indispensable for anyone grappling with the hisitorical issues of Russia's imperial visions.

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